fog over (click pic) dubai (photographed by bjoern lauen and chloratine), shanghai (wei gensheng), chicago (steve raymer and bob gaudet), london (mpsinthesky), vancouver (andy clark), and new york (girish tewani)
(Source: awkwardsituationist, via scarletletterswift)
Behold @taylorswift the chart slayer. #ShakeItOff I LOVE IT I LOVE IT I LOVE IT.
Real people don’t complain about fake people.
I LOVE PEOPLE WHO ARE TRYING TO HATE ON SHAKE IT OFF BECAUSE THERES LITERALLY NOTHING YOU CAN SAY BECAUSE TAYLOR AND EVERYONE ELSE WHO LOVES HER IS JUST GONNA SHAKE IT OFF
As Billboard’s youngest-ever Woman of the Year prepares to release her fifth album, 1989, she finds herself, as always, in the glare of a blinding spotlight of expectation – but if you think that scares her, you haven’t been paying attention. She calls 1989 her most sonically cohesive collection, and armed with first single, “Shake It Off,” she’s ready to blaze into the next phase of her still-young career, where she’ll continue to dance like no one’s watching, write like she stole our collective diary, and inevitably soar to ever-greater heights. All that’s left to wonder is how many more lives she’ll lift in the process.
1989 Deluxe Edition album cover!
(Source: tayswiftaus, via bemyoldselfagain)
Taylor Swift, Fearless, Speak Now, RED, 1989
THIS IS LITERALLY THE BEST TYPE OF SINGLE TAYLOR COULD HAVE RELEASED RIGHT NOW A CATCHY AS FUCK SELF-AWARE SELF-LOVE ANTHEM I’M SO HAPPY I’M FLOATING AWAY I LOVE HER SO MUCH